![]() We finished the first day’s filming by fully burning down the exterior set as Bella stood before it and reacted with fear and dismay, and we started the next day with the same set’s smoking remains as a backdrop to Bella’s simmering fury. Sej and I took turns sleeping in a car on location so we could save on security costs for the night before the shoot, and I painstakingly attached the set drapes to the rigging myself for a couple of hours around midnight. So, we sent Bella the script with a bit of information about the project and ourselves and were ecstatic to hear that they were excited and wanted to be involved.Īll the one-time favors we’d discussed as money-saving efforts were called in: a skeleton art crew utilised a disused farmyard barn as our stage, and dressed the picturesque land right beside it for exteriors unused rigging and drapes were borrowed from empty stages at Pinewood Studios location amenities, SFX equipment and a huge VFX lens grid were graciously loaned to us for free by old colleagues every equipment hire discount under the sun was gotten through friends of friends. I’d seen Bella in Game of Thrones and Resistance and had been awed. They put together a list of potential actors for the lead character with Bella Ramsey’s name at the top, and suddenly we didn’t even want to consider anyone else. The production was full of firsts–one of which was, instead of advertising online for actors, hiring an actual casting director. It’s pretty universal advice: put in the work to be somebody for whom people want to do favors. Our patience and collaborations in the industry had truly paid off. ![]() Once I’d hastily drawn a small tree’s worth of storyboards, we began to reach out to department heads over Zoom and asked, “How do we do this?” and “Do you know anyone who’d do this for super-duper cheap?” only to be floored with a chorus of extremely talented people responding with, “I’m bored as hell and this looks like a fun project I’ll do it!” ![]() But now we had time to learn and all-too-available industry contacts who could teach us. I looked through my archives and rediscovered Villain, full to the brim of practical fire, prosthetic makeup, bespoke costume design, computer-animated dragons, and other elements Sej and I had little to no experience in from our previous shorts. These things create a huge difference in the color grading process.īetween completing 1000-piece puzzles, customizing face mask designs, and binging Tiger King, the realization began to set in that there was now time to properly and patiently develop a new film project. To use LUTS effectively, you have to understand the footage first, which means whether your footage is 10-bit, 8-bit, RAW, Log, or standard. It also includes some utility LUTS and film grain overlays of 8mm, 16mm, and 35mm, and a cinematic black bar PNG file with a ratio of 2.35:1, which helps you to create a more cinematic look quickly and save a ton of time. The LUT pack has 56 free different LUTS for different scenarios like weddings, TV, commercials, traveling videos, landscapes, Rec.709, and so on. What Does This Free Cinematic LUTS Pack Include? The LUT pack not only includes LUTs, but utility LUTs, film grains, and black bar layers. The team over at Reverse Tree Productions has put together a sizable LUT pack that's completely free to download. What is a LUT ? In short, a lookup table, AKA LUT, can be a great reference point when starting to build the visual language of your film. Creating the finished look will be one of the things you'll mull over the most because of how much it impacts the story and your audience. ![]() When it comes to creating the look of your project, there are endless references available from photography, art, and other films.
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